Leonard Boff, a very important Brazilian opinion maker and also a theologist, addressed a letter do Workers Party (PT) which meeting was held recently. He remembered that the election campaign officially will begin in a moment and there is a risk that we sank in a childish discussion between Lula and last President – Fernando Henrique Cardoso. His concern is that the great issue is far away from these por comparisons and is related actually to the environment.
For both contenders when the issue is development and nature, the paradigm is the same, and thew will probably serve to distract voters from real problems that Brazil and the world will face.
A serious electoral competition, the height of the planetary phase of humanity and the importance of Brazil in it, should be the issues and also the future to be built collectively. Who has the best design to our people and their relationship to the nascent global society? Who is proposing an essential contribution to the dramatic scenarios looming on the horizon?
Boff made three suggestions to the Workers Party. He first wrote on the motto of the national meeting – The Great Transformation. This is the same name of a book written by Karl Polanyi (1944) in which he shows how the liberalism turned everything into a commodity. Is this the Great Transformation thought by PT? To be something else, the party must take seriously this irrefutable fact: The Earth has changed because we are already in global warming. The wheel can no longer be stopped, only diminish its speed. If the thermometer of the Earth rises to more than two degrees Celsius over the coming decades, as provided by the best research center, will face Brazil and tribulation in the world of desolation. Many PAC projects (Brasil´s Government programs to accelerate progress) may be canceled. If they do not include climate issues in their program they will show lack of practical intelligence and historical irresponsibility.
Another equally disturbing issue is the unsustainability of the system Earth. As of September 23, 2008 we learned that the Earth has exceeded 30% in its ability to restore the goods and services necessary for life. We are consuming today what we will need tomorrow. If we universalize the consumption level of the middle classes worldwide, including the eighty million Brazilians, we would now have three land equal to this. This model of growth, as it seems behind the PAC, shows its viability in the medium and long term. Not that we stop producing. We produce but within a different paradigm of less predator-Earth system, with an agreement regarding the supportability of each ecosystem and a wide social inclusion, designed with an ethic of care, universal responsibility and the pursuit of the good life for all.
Finally, the Workers Party (PT) must raise the fact that Brazil is certainly the key to the balance of the planet. He is the power of water, the holder of the largest forests, large dioxide sequestration of carbon and regulatory climate, with great biodiversity and vast arable land and can be a table set for the famines of the world, with unmatched ability to generate alternative energy and a highly creative people, who did a test of civilization of the most significant, non-imperialist, and with an enchanting view of the world that allows you, in the midst of contradictions, celebrate their feasts, cheering for their teams and dance at carnivals… crucial characteristics to give a human face to globalization in progress.
Great talk! Will PT listen to it?




The Brazilian Government will announce the GNP results for 2nd quarter next week. Our economy grew something around 1.8 and 2.0. Brazil has hired the P.R. consultant Fleischman Hillard (NY) – one of the most expensive in the world – to invite national and international journalists, analysts and other VIPs to discuss our perspectives with Brazilian Minister, Guido Mantega. The meeting will be on Monday.
Globalization is eroding the efficiency of conventional taxes, such as value added taxes. At the same time, a new form of taxation, levied on bank transactions, was used in Brazil (1993-2007) and proved to be evasion-proof, more efficient and less costly than orthodox tax models.
Anatel, the agency that regulates communication in Brazil, just announced that the total number of cell phones in Brazil are 152.364.986 (Feb 2009) which amounts to almost 80% of the number of inhabitants in the country.
The first notice I received about Arne Naess death caused me sadness but, after minutes, a certain anger because I suddenly realized we had lost the opportunity to have this man and his relevant ideas with us in Brazil. I wondered why so many brilliant minds never came here, looking to Brazil as a distant country, immersed in Carnival and summer, to be known one day and nothing more… But, as Spinoza said, “Emotion, which is suffering, ceases to be suffering as soon as we form a clear and precise picture of it“. By the way, Spinoza and Gandhi had strong influence on Arne Naess thoughts. So, I decided to reflect a little deeper on the reasons I was anger. 

Which are the best Brazilian songs ever?
Posted by Nadiva Olivier on September 16, 2009
Which are the best Brazilian songs ever? I can say that seven among the 10 best were composed by Tom Jobim, according to a panel of experts. The big winner: his song Águas de Março.
More than 200 Brazilian journalists, musicians and cultural icons were asked to name their three favorite national tunes starting in 1917 when “Pelo Telefone” (On the Phone), the first Brazilian samba, was recorded by Donga. “Which is the all-time best Brazilian song?” was the question presented.
Voters were suposed to analyse: melody, lyrics, some historical reason, and even sentimental motives. Jobim’s “Águas de Março”, from 1972, was the champion, but his name was also remembered for “Chega de Saudade” (3rd place, from 1958), “Retrato em Branco e Preto” (6th place, 1968) and “Garota de Ipanema” (7th place, 1963). Jobim was again considered for “Corcovado” (1960) and “Desafinado” (1958, a tie in 9th place) and “Wave (Vou Te Contar)” (1967, 10th place). Tom Jobim had 32 of his songs cited!
Composer Chico Buarque de Hollanda had the same number of tunes remembered. Surprisingly, Jorge Ben came in second with 22 tunes mentioned. Only his 1963 song “Mas que Nada”, however, won enough votes to be included among the 10 most memorable songs.
Caetano Veloso had 20 compositions mentioned, which gave him the third place in this category.
In 1999, a search for the best Brazilian songs of all times promoted by Globo TV Network found that Ary Barroso’s “Aquarela do Brasil” (“Brazil”) was the favorite. This time the results were less chauvinistic. Jobim, with a total of 110 mentions, came well ahead of the second most cited composer, Chico Buarque, who got 69 nods. Vinicius de Moraes (48 mentions) came in third for his collaborations with Jobim, Chico Buarque, Baden Powell, Carlos Lyra, Edu Lobo and Toquinho. Caetano Veloso and Jorge Ben tied in fourth place with 34 citations.
The fifth place went to Roberto and Erasmo Carlos, a duo famous for their romantic ballads. They were remembered 24 times by the illustrious panel of voters.
Interestingly enough, the most memorable “Águas de Março” interpretation, which serves as reference for all the other versions, is the one sung by the duet Elis & Tom. Elis Regina didn’t like Tom Jobim and didn’t hide her dislike for the maestro whom she called “a bore”, “dim-witted”, and “old fogey” in the backstage, in 1974, when the Elis & Tom LP was being recorded. Elis, however, needed to revitalize a career that was being derailed by bad press from critics who were demanding more sophistication from her. The partnership with old Tom made the trick for her. “Águas de Março” appeared on a super brief venture of alternative tabloid Pasquim into the music business. The nonconformist publication in 1972 decided to release simple compacts—a record with a song on each side of the old vinyl disc—to reveal new talents. To guarantee success for the record, their proposal was to release on the other side of the disc an unpublished tune by a famous composer. The new composers were rookies João Bosco and Aldir Blanc with “Agnus Dei”. Jobim became their godfather in the recording, with “Águas de Março”. There would be only one more release in the collection: that of Fagner being presented by Caetano Veloso.
Women were barely mentioned in this selection. Rita Lee is the first woman to show up in the list. The feisty rocker was mentioned 15 times what guaranteed her an 11th place together with samba composer Cartola. Besides Lee, only Chiquinha Gonzaga and Dolores Duran were remembered. They showed up at the bottom of the list with four mentions each. A big name like Maysa was never mentioned. More recent composers like Marisa Monte, Adriana Calcanhotto, and Zélia Duncan also were snubbed. Talking for her colleagues, Rita Lee offered some explanation for this oversight: “Women are quantitatively less present in several areas. Only recently we started appearing while patriarchy exists for centuries.
Chiquinha Gonzaga is from a time when men would say, “Music is man’s occupation”. Dolores Duran was from a time when guys would say, “Women who compose are whores.” I’m from a time when Tubby’s Boy’s Only Clubhouse used to say, “To make rock you ought to have balls.” Cássia Eller is from a time when people say, “You need to be a macho-woman to make music like a man.” My granddaughter will be from a time when they will say, “Only a woman could make such a good song.”
Ranking of the best: 1st “Águas de Março” (Tom Jobim) /2nd “Construção” (Chico Buarque) /3rd “Chega de Saudade” (Tom Jobim &Vinicius de Moraes)/4th “Carinhoso” (Pixinguinha & João de Barro) /5th “Aquarela do Brasil” (Ary Barroso) /6th “Detalhes” (Roberto Carlos & Erasmo Carlos) /”Retrato em Branco e Preto” (Tom Jobim & Chico Buarque) ” /As Rosas Não Falam” (Cartola) /7th “Asa Branca” (Luiz Gonzaga & Humberto Teixeira) /”Domingo no Parque” (Gilberto Gil) /”Garota de Ipanema” (Tom Jobim & Vinicius de Moraes) /8th “Mas Que Nada” (Jorge Ben) /”Sua Estupidez” (Roberto Carlos & Erasmo Carlos) /9th “Baby” (Caetano Veloso) /”Corcovado” (Tom Jobim) /”Desafinado” (Tom Jobim & Newton Mendonça) /”Panis et Circencis” (Caetano Veloso & Gilberto Gil) /”Pérola Negra” (Luiz Melodia) /”Três Apitos” (Noel Rosa) /”Tropicália” (Caetano Veloso) /10th “Beactress” (Edu Lobo & Chico Buarque) /”Dora” (Dorival Caymmi) /”Eu e a Brisa” (Johnny Alf) /”O Homem da Gravata Florida” (Jorge Ben) /”Inútil” (Roger Moreira) /”Ouro de Tolo” (Raul Seixas) /”Wave (Vou Te Contar)” (Tom Jobim).
Source: www.brazil-brasil.com
If you like to listen any of them, tell me and I will send it to you.
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